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Packaging design. Front, back and finished.
The small print counts too.

We design labels, boxes and product ranges around what you sell and how it will be made. Choose a direction; we take it to your printer.

A row of blank product packaging, a glossy box, a labelled-style jar with a blank label and a paper bag, with frozen paint pouring over the tops of them
A blank glossy gift box with its lid lifted and tissue paper spilling out
A glass jar with a blank paper label and a twine bow around its neck
A roll of blank kraft paper and a ball of twine beside a pair of brass scissors
PACKAGING DESIGN AGENCYPACKAGING DESIGNDESIGN & BUILDCONTENT & SOCIALMARKETING↑ READY

We’ll reply in writing within one working day, then scope the work if it’s a fit.

Ikonic Beer's packaging design brief called for a younger, more confident look for a limited-edition Italian craft beer. We refreshed the logo and built the illustration and print specifications around one visual system, with a crowded Italian shelf in mind.

↳ The short answer

Packaging design turns your product, its required small print and your printer's specification into one pack made to sell on the shelf. A limited release can have a treatment of its own. Across a range, shared rules for names, colours and information allow for each variant. Those decisions carry through every panel, from the front illustration to the ingredient wording. Your brief lists the pack formats and pieces to produce, and names the person supplying approved labelling copy. The Social Target develops two or three concepts, then takes the chosen direction through to finished artwork and a print spec sheet. The finished production files go directly to your printer.

The brief: what the product says first

For Ikonic Beer, the brief combined identity work with packaging. The work included a refreshed logo, packaging illustration and print-production specifications for the limited-edition release. A younger, more confident look had to run through all of it.

For your product, the front panel needs a clear reading order. Name first. Then the product detail and the illustration. We agree where each one sits before the concepts start. Those choices give you something concrete to judge when the concepts arrive.

Bring the existing pack, your product details and the setting where you intend to sell it. We also need the format, the number of pieces and your printer's requirements. List each label, outer box and variant you need, so the brief accounts for the whole job.

Your existing identity gives the design its starting point. If that needs work, we agree it before developing the pack. Our brand identity and design service covers that foundation. For Ikonic, refreshing the logo was part of the work; your packaging brief may already have a logo and visual system ready to use.

Concepts you can choose between

We develop two or three concepts from the agreed brief. Each explores how the product name, illustration and information could share the pack. You get distinct directions to discuss before we commit to finished artwork.

The decision needs more than a favourite colour. Read the name, identify the variant, then look at the supporting information. If the illustration draws all your attention and the product becomes hard to identify, we have something specific to fix. A strong image still has to share the panel.

We discuss each concept against the same brief. A bolder direction may suit the intended character of a limited edition. A quieter one may give the product name more room. Tell us what you notice first, what you struggle to read and which treatment feels right for the product.

You choose the direction we develop. We then settle its type, colour and illustration treatment before extending the artwork across the agreed pieces.

One release or a family of products

Ikonic centred on one limited-edition release. Paris Caseificio Artigianale, an Italian artisan cheesemaker, asked us for a pack design that could carry every flavour it makes. That called for a system that separates what changes from what stays put.

Every Paris flavour has its own colour and typographic accent, while the logo lockup, ingredient panel and regulatory zone stay in the same positions across the range. You can see the range logic in the artwork itself, from the changing flavour treatments to the shared layout.

For your range, we decide those rules before treating every variant as a separate design. We identify the elements that carry your identity, then give the product differences their own space. A longer flavour name or a fuller ingredient list needs a place in that plan.

Tell us about the additions you expect to make, including any new pack formats. We can allow for those differences when developing the template and identify where a future product may need a different layout. The quote lists the variants included. Later flavours then start from the same system instead of from scratch.

Room for the ingredient panel

We reserve space for the ingredient panel while the layout is still open. Send the approved copy with the brief, and tell us where the product will be sold.

For UK food packaging with an ingredients list, Article 21 of Regulation (EU) No 1169/2011 requires allergens in that list to be emphasised through typesetting, for example font, style or background colour.

We build that emphasis into the artwork alongside the pack's type and colour choices. If a decorative treatment makes the emphasis hard to see, we change the treatment. The panel gets the same design attention as the front of the pack.

You supply signed-off wording. During artwork review, we compare that copy with the layout, checking the text, its emphasis and its position. We also look at the panel at its intended print size, as part of the complete pack.

Your food labelling specialist approves the wording and what each market requires. We lay out that approved text. Approving the wording and choosing the design are two separate sign-offs.

From approved artwork to the printer

Once you choose a direction, we take it through to production-ready files. We confirm the dimensions, cut edges and folds against the printer's dieline before finalising the layout. That fits the design to the real surface being printed.

We check the pack panel by panel at its intended size. Look at where the name sits, how the illustration meets the edges and how the approved text fits on the remaining surfaces. For a range, we review the variants together as well as individually, including the one with the longest name or most text.

The print spec sheet records the production choices alongside the artwork. We confirm the material, finish and print method with your vendor so those instructions reflect how the piece will be made. Once you approve the artwork, the files and spec sheet go straight from us to that vendor.

Packaging work is quoted per project. Piece count, finishing and print method shape the scope. We establish those choices before completing the artwork; if you change the format, we review which files need to change with it.

Our physical music work includes Rhapsody Of Fire's 2019 album The Eighth Mountain: sleeve, booklet and identity elements. For Steven Chelliah's Fuzasian, we created the album artwork and complete digipack design. Both appear in the work below.

Put packaging obligations in the brief

Production planning should also allow for packaging obligations. The GOV.UK guidance on UK packaging extended producer responsibility, checked on 26 October 2026, includes two thresholds: annual worldwide turnover of £1 million or more, and more than 25 tonnes of packaging supplied or imported in the UK in the previous year.

Those thresholds are part of the eligibility criteria, not a calculation of what you owe. Ask whoever handles your packaging obligations to check the full guidance and confirm what applies to your business.

Tell us who is doing that check and pass on what they confirm. We work it into the print specification, so the artwork matches the packaging plan you approved.

THE WORK.

Ikonic Beer can packaging design
Ikonic Beer packaging
Paris Caseificio Artigianale artisan cheese brand identity
Paris Caseificio Artigianale packaging
Rhapsody Of Fire, The Eighth Mountain album artwork
Rhapsody Of Fire album packaging
Fuzasian album cover artwork
Fuzasian album digipack

↳ Modules

Concept to press

We scope the pieces and formats before design starts. Your project takes the chosen concept through to artwork your printer can work from.

PK01Design & Build

Concept directions

We develop two or three visual directions around the agreed packaging brief. You choose the one we take into production.

    PK02Design & Build

    Range and variant artwork

    We develop the chosen direction across the agreed products and pack formats. Variant colours, typography and shared panels follow one design system.

      PK03Design & Build

      Production files and print spec

      We prepare the artwork to the agreed dielines and printer requirements. Your print spec sheet travels with the finished files, keeping the design and production instructions together.

        PK04Design & Build

        Direct printer handoff

        We send the approved artwork and specification directly to your print vendor. Their production requirements form part of the brief from the start.

          ↳ Frequently asked

          Can you use the logo and colours already on our products?

          Yes. An existing identity can give the packaging its visual foundation. Send the logo files, colour references, type choices and current packs. If they need work first, we agree that scope before developing concepts; otherwise, the packaging takes its direction from those assets.

          Will you speak directly to our print supplier?

          Yes. Your printer receives the finished artwork and specification directly from us. Put us in contact while the brief is being prepared so their format and production requirements guide the design. You approve the direction before it moves into final artwork.

          Can the design accommodate flavours we plan to launch later?

          Yes. We can plan the range around shared elements and room for variation. Tell us about the likely additions when we scope the first packs, including longer names or different formats. We agree which parts stay fixed and which change by flavour. New variant artwork is then scoped against that system.

          Who checks the ingredient wording before artwork approval?

          The person or food labelling specialist you nominate approves the wording for your intended market. We need that approved text and any required emphasis to prepare the layout. We review the artwork against what you supply. Keep the content approval separate from your choice of colours, illustration and layout.

          What reaches the printer at the end of the project?

          The handoff includes production-ready artwork for the agreed pieces and a print spec sheet. We prepare the files against the relevant dielines and your printer's requirements. The scope sets out the pack formats and variants, so you know which finished pieces are included before design starts.

          Can we keep a packaging manufacturer based outside the UK?

          Yes. Share the manufacturer's production contact, specifications and file requirements when you brief us. We can agree the artwork requirements with that vendor and deliver the files directly. The intended sales markets also need to be clear, so your approved labelling copy reflects where the product will be sold.

          ↳ Related services

          Pairs well with.

          If the launch needs more than packaging, these services cover the next pieces.

          Pillar 01

          Marketing

          Megaphone, hearts and growth arrow surrounded by colourful paint on purple

          Plan how people will find the product once the packaging is ready.

          See Marketing →

          READY WHEN
          YOU ARE.

          Tell us about your business in ninety seconds. If it’s a fit, we reply by email within the working day. If not, we send you something useful instead. We never promise the moon.

          The Social Target · Limited · Est. 2017 · London